2014 was good to me, in ways that were both unexpected and long striven for. Of course, I wish I had done more, written more, read more…but that’s the way it is every year. Instead of regret, I have so many things that I’ve been a part of, or learned, or people who I’ve met who have made this year a great one. So, here is my post that attempts to wrap it all up, and look towards even greater things in 2015!
The fun stuff: CONTAINERS!
If you know me, then you know I have an affinity for containers, large and small. I am always searching dollar stores, craft stores, art stores, home stores, for the latest and greatest magical container that can be used for makeup purposes. Check out the picture for some of my favorites from this year. Palette paper, by Royal and Langnickel. These were at Joann Fabrics for $1, perfect 5×7 size for a quick, disposable palette, and you can even leave some product on them and fold them up for touchups later. I keep a pad in my set bag. Semi-clear zipper bags from Blick. The ladies of Cirque FX introduced these to me, and they’ve become a staple in my kit for quick organizing. They come in a variety of shapes and sizes, and of course, are more affordable than most similar “makeup” bags. Pill boxes for creams. In an effort to condense my day-checker set kit even more, I made teeny-tiny cream palettes out of pill boxes. Sun – Sat, they were 7 for $1 at Dollar Tree. Lightweight, tiny, and just enough product to cover a variety of sins, in a pinch. Slider pencil boxes – for keeping brushes, pencils, tools, etc. Great for keeping brushes CLEAN, and separated for different actors. Blocks of asian market kitchen sponges! These look just like blonde stipple sponges, and guess what? I cut them into different shapes and used them for some fx, they worked just as well as the tried and true version. Two of the best containers and gifts I’ve received this year. I have to brag a little, my friend Chris is the Special Makeup Effects head on Chicago Fire, and he custom made these two-well brush / cup holders for us. I love it! The other ceramic piece is a beautiful handmade pottery bowl that I use for brushes, a gift from my boss on Chicago Fire.
The artsy stuff: Inspiration.
Japan. I have a somewhat new love of Japanese things. Maybe it started with makeup – Hakuhodo brushes are the most luxurious I’ve ever touched, and Koh Gen Do makes the most perfect foundation I’ve ever applied. But this year it became more of a “thing”. I’d go to an antique store and leave with a beautiful, campy, 1960’s paint-by-number Geisha. Then I found a small vintage decorative lamp, a little tableau of a woman standing on a bridge. It didn’t help that some friends in Las Vegas opened a perfect, Japanese styled, members only cocktail bar, a refuge overlooking Fremont East. That just fueled the fire, and now it’s becoming an obsession, maybe. I’ve started daydreaming about going to Japan someday, and looking up images of Buddhist temples in Kyoto, and Tokyo alleyways. And finally, sake. Delectable, cloudy, unfiltered Nigori sake. Just because it’s delicious.
Museums. I’ve always loved museums, but this year in particular I’ve been thinking a lot about the texture of paint, light and dark, chiaroscuro. My favorite painting resides at the Art Institute here in Chicago (lucky me!), it is called “Resting”, by Antonio Mancini. When I talk about makeup, I find myself going back to the idea of light and shadow. So much of what we do as makeup artists is about light, and how it plays on the face. Understanding the art of lighting is something I’ve been working on, and hopefully learning from the talented professionals that I work with. This painting is so inspiring to me because it is a perfect example of how a blob of white paint means light, and the most subtle brushstroke reads as the plane of a woman’s face. I love how it demonstrates using paint in just the right way to convey light and shadow.
Italy. Cheating a little, these images are from 2012, but I absolutely fell in love with this series by Giampaolo Sgura of “Italian family” life, for Dolce & Gabbana. I have very little interest in fashion, but occasionally I’ll find certain images so arresting, intriguing, fantastic, etc. that they grab my attention and hold it. I love this campaign because of the over-the-top, character or caricature? aesthetic, and pure, old school Italian glamour. I also think Monica Belluci is the most beautiful woman alive.
The deep stuff: What the hell did I learn?!?
Professionally, I’ve experienced highs and lows this year. From this I’ve learned that neither one should define me, and that empty praise can be just as damaging as negative feedback. Having a true sense of artistic purpose is the only way I’ve found to combat the over inflated pride or the unnecessary devastation that sometimes comes with other people’s opinions. Also worth noting, you will probably never catch me posting “#alwayslearning” or similar popular sentiments. Why? Because the negative things I went through at work this year broke me down, but changed me in some good ways too, and to say something like that feels trite. F*@$ yeah, I’m always learning. Is it hard? Sometimes heartbreakingly so. But it’s a given that as an artist, I’m a lifelong student, and I refuse to turn it into a dull hashtag. On the flip side, I’ve never felt more connected to some of my fellow artists, and after years of knowing them I can say that I trust and respect them deeply, and that is an incredible feeling. I’ve also learned that “be yourself” is not just a mantra for the first day of school, it’s truly the only way to find yourself working where you are happy and fulfilled, with like minded artists.
So what do I want from this year? The same things I always want; to read more, write more, and make art. To spend time with the best people I know, eat great food, drink tasty drinks, travel to new places, and hopefully discover some fancy new containers along the way.